Natee Utarit ‘Optimism is Ridiculous – The Altarpieces’ Exhibition Goes To Singapore
Published by Sugar & Cream, Wednesday 10 January 2018
Text by Auliya Putri, Images Courtesy of The Private Museum
Singapore : The Private Museum, 24 January – 11 March 2018
Setelah sukses menggelar pameran tunggal di Galeri Nasional Indonesia pada bulan Oktober 2017 lalu, Natee Utarit dengan ‘Optimism is Ridiculous – The Altarpieces’ menjadikan Singapura sebagai destinasi selanjutnya. Pameran yang berhubungan dengan Singapore Art Week 2018 ini mulai dibuka pada tanggal 24 Januari sampai 11 Maret 2018 di The Private Museum – Singapura yang juga bekerja sama dengan Richard Koh Fine Art. Juga jangan sampai terlewatkan acara Artist Talk yang akan diadakan pada tanggal 27 Januari 2018 pukul 2pm di tempat yang sama.
Ulasan lengkap tentang pameran Natee Utarit di Jakarta bisa Anda akses di sini.
RIVA1920 COLLECTION AT SALONE DEL MOBILE.MILANO 2026
Riva1920 celebrates 106 years at Salone del Mobile.Milano 2026 with 100+6: From Nature to Home and a new collection celebrating the enduring beauty of...
read moreMONDIAL X NICHOLAS SAPUTRA: A NEW CHAPTER OF MONDIAL PRECIOUS FIRE
MONDIAL and Nicholas Saputra unveil a refined evolution of MONDIAL Precious Fire placing the nuanced harmony of ruby and blue sapphire at the heart of a...
read moreDIOR HAUTE COUTURE AUTUMN-WINTER 2026-2027 - VIP GUESTS
The VIP guests glammed in Dior for Dior Haute Couture Fall/Winter 2026-2027 Show
read moreHERMÈS UNVEILS WOMEN'S SILK SPRING/SUMMER 2026
Hermès unveils Women's Silk Spring/Summer 2026, introducing three distinctive new interpretations of the House's iconic Carré 90.
read moreW RESIDENCE IN SOUTH JAKARTA BY MICHAEL CHANDRA
Michael Chandra, founder of MNCO Studio Design has created the W Residence with an aesthetically pleasing, practical, and pleasant home from all...
read moreTOTO X YUNI JIE: "TOTO in Color"
TOTO x Yuni Jie launches 'TOTO in Color', featuring an outdoor art installation and a sculpture garden inspired by Indonesia's heritage.
read more
