THREADED MEMORIES — THE TEXTILE WORLD OF GIULIO CAPONI
Published by Sugar & Cream, Wednesday 25 February 2026
Images courtesy of Giulio Caponi / Dedalo Srl.
Photos by Paolo Biava
Where Objects Remember For Us
There is a certain intimacy in living with objects that carry stories. A rug beneath our feet, walked over every day, rarely asks for attention — yet it holds the quiet rhythm of a home. In the hands of Giulio Caponi, that surface becomes something more reflective: a space where memory settles and material begins to speak.
Caponi works slowly, almost meditatively. Thread after thread, he reconstructs fragments of language, images, and cultural traces — not to preserve nostalgia, but to consider what will remain of us. What will future generations understand from the things we leave behind?
Across Graffiti Tessili and Linea Contemporanea, the floor becomes a quiet archive — personal yet universal, intimate yet composed.
GRAFFITI TESSILI — INTIMATE ARCHIVES
The world of Graffiti Tessili feels like opening a private drawer. Postcards, vinyl records, handwritten fragments, animal figures, distant landscapes — everyday relics reinterpreted through meticulous stitching.

These are not nostalgic gestures. They are cultural imprints.
Within the Cartoline series, Caponi invents letters addressed to people he never met. Time folds in on itself. Past and present coexist. Language is sampled and reassembled, like a memory recalled in fragments.
Cartolina “OMAGGIO A CAMPANA” (Postcard “Tribute to Campana”)
Placed within a refined interior, the piece reads as both artwork and object. The surface of felt carries stem-stitch embroidery that feels handwritten, intimate.

Unique piece
220 × 160 cm
Felt, embroidered in stem stitch
It does not dominate a room. It anchors it — quietly.
LINEA CONTEMPORANEA — POETRY WITHOUT WORDS
If Graffiti Tessili speaks, Linea Contemporanea breathes.
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Presented by Interni Cipta Selaras
More abstract in composition, these works allow embroidery to take precedence over form. A recurring “X” — Caponi’s subtle signature — appears as a sign of presence, almost a personal imprint left within the weave.
“LOST WEEK-END” — Runner
Photographed by Paolo Biava, the runner unfolds as a deep black field interrupted by delicate stitching. In a hallway or transitional space, it creates a cinematic pause — understated, deliberate.

Unique piece
265 × 135 cm
Moquette, embroidered in stem stitch

“TAJ MAHAL”
Crafted in felt with Alpine wool, “Taj Mahal” translates Italian poetic meter into thread. Cross-stitch embroidery structured around endecapunti gives rhythm to the surface — a cadence that feels measured yet free.

Unique piece
100 × 160 cm
Felt, embroidered in cross-stitch

Produced by Dedalo Srl in Brescia, these unique works move fluidly between collectible art and interior element. They belong in spaces that value material depth, narrative, and restraint.
Caponi reminds us that softness can carry weight. That a floor covering can also be a statement. That objects, when made with intention, quietly remember for us.
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