LUCEPLAN @FRAMING 2025
Published by Sugar & Cream, Wednesday 20 August 2025
Image courtesy of Luceplan
Renews its Participation in the Group Exhibition FRAMING
Luceplan was participating in the 6th edition of FRAMING, a group exhibition in Copenhagen from 18-20 June 2025. The event, held at the Odd Fellow Palace, showcased innovative design projects from top brands. This renewed participation strengthens Luceplan’s connection with Scandinavian design and strengthens its market presence, a strategic factor for the brand’s international growth.

Luceplan released the newest Euroluce 2025 collections, which featured best-selling items and classic pieces. A scaled-down version of Studio Odile Decq‘s modern chandelier, the Dix Bougies petite has asymmetrical and haphazard intersections. The chandelier’s six LED light sources and elegant paper diffusers produce delicate, ornamental lighting that harkens back to the era of candles.

Presented by Magran Living
Limetry by Alessandro Zambelli is a programmable system with a rectangular dual emission module that comes in two sizes. It was on display at Fuorisalone 2024 and in a new configuration for Euroluce 2025. It has a functional spotlight that emits LED light upward or downward and four corners for connecting multiple elements. Installing the system alone, in conjunction with other units, or with a prismatic disk to soften light are all options. With a triple arm, the new J-us XL, an advancement of the inventive chandelier, can reach a greater diameter and more configuration options.

Luceplan also concentrates on architectural lighting for interior spaces that is both decorative and multipurpose. One item in their collection, the Track System, can be used in a variety of configurations and collections. For a new vertical suspension version, they have selected Doi Spot by Meneghello Paolelli, Alibel by A. Zambelli, and Hono by Mandalaki. An adaptor can be used to connect the company’s creations to the thin track, enabling a different interpretation of brightness distribution depending on the device in use.

The floor and table versions of Hono, a minimalist product family that evokes the coziness of a fire-lit lantern, are also on display. The delicate luminous effect created by the design’s oblong, robust metal structure and ethereal diffuser made of 100% cotton paper creates a calming atmosphere in spaces.

Marco Spatti’s Levante floor has a tripod base, three steel stems connected to an aluminum core, and an ethereal design. The diffuser is environmentally friendly and appropriate for inclusion in the ADI Design Index 2023 since it distributes light evenly across all surfaces and is constructed from recyclable rice paper.

Zsuzsanna Horvath created the Illan wall for Luceplan, which is distinguished by its technological innovation and lightweight. The lamp’s body is covered by a thin, flexible plywood structure that has been laser-cut. With the shade derived from suspension production scrap, the design is both poetic and environmentally friendly, improving both the production process and environmental impact.

Because of the thin carbon stem and the miniaturized light source, A. Zambelli’s Flia portable is a product with a light, flexible essence that can be used in a variety of spaces.

An event showcased Daniel Rybakken’s Compendium floor, which has a high-efficiency LED light source. This 10-year-old graphic-sculptural lamp provides ambient and diffused lighting, toward the wall to avoid direct glare. It still produces a remarkable visual appeal.

Lastly, Studio Shulab’s Malamata floor, whose name reflects the designer’s Israeli heritage because it means “up and down” in Hebrew. A spherical counterweight allows the light to be precisely controlled by allowing the diffuser to be positioned in various ways.
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