ART JAKARTA 2025 – Special Presentation
Published by Sugar & Cream, Friday 03 October 2025
Images courtesy of Art Jakarta
JIExpo Kemayoran, 3 – 5 October 2025
Art Jakarta 2025 is just three days away! We are pleased to announce seven special presentations commissioned by this year’s Lead Partners and Main Partners!
Download our Fair Guide here.
Lead Partners
Julius Baer VIP Lounge
With a long-standing tradition of supporting the arts, Julius Baer’s collaboration with celebrated Indonesian artist Eddie Hara (b. 1957), who has lived and worked in Switzerland for many years, resonates deeply with Julius Baer’s Swiss roots and Asian presence. Hara presents “CALL 911. DESTROY BAD ART”, along with a body of work comprising both new and earlier works that range from painting, sculpture, and participatory artwork at the Julius Baer VIP Lounge. There will also be meet-and-greet sessions with Eddie Hara.

Portrait of Possibilities
In collaboration with Stockbit and Bibit, Agus Suwage (b. 1959) presents a new iteration of his monumental self-portrait work, “Self Portrait and the Theater Stage”. The work comprises 60 painted zinc panels, each one portraying the artist himself, showcasing a multitude of human expressions that capture the ever-evolving nature of identity. This artwork serves as a mirror, reminding us that the future is a self-portrait, and every investment decision shapes the face we will wear next.

Reserve of Care
An immersive and interactive installation by Azizi Al Majid (b. 1994) and Nuri Fatimah (b. 1984), this presentation invites viewers to sit around a table to smell, listen, and look — triggering multisensory interactions through peepholes, drawers, sound, and immersive surrounding visuals. The table stands on four legs, each representing a core foundation of familial values: Shelter, Wealth, Care, and Love. The work reframes the definition of wealth in a way that resonates deeply with Treasury’s commitment to accessible, secure, and human-centered investment.


Presented by Coulisse
myBCA Space × Muklay
myBCA × Muklay presents “Petualangan Si Jabrik di Dunia myBCA”, an interactive space featuring Muklay’s (b. 1993) iconic character, Si Jabrik, as he explores the myBCA universe. Visitors are invited on a journey through a variety of thematic activities that introduce the unique features of myBCA. This collaboration offers an exciting platform that bridges the worlds of finance and artistic expression, inspiring us to incorporate art into our everyday lives. Visitors will also have the chance to redeem exclusive merchandise from this collaboration.

Main Partners
The Acceptance Gallery by SUPERMUSIC
SUPERMUSIC presents The Acceptance Gallery, a transformative and interactive space for self-reflection. The gallery showcases artworks, musical instruments, everyday products, and attire made by local artisans across Java, Indonesia, each one representing and relating to a youthful identity. Amidst the vibrant Indonesian music scene, SUPERMUSIC presents a wide variety of genres to the industry and community.

Lumiphona.Dat by Ricky Janitra
“Lumiphona.Dat” by Ricky Janitra (b. 1987) invites viewers to experience how humans, technology, and nature are interconnected. The solar energy captured by iForte’s solar panels serves as the starting point for this work. The light absorbed by the solar panels becomes data, which is then processed by an algorithm to move the instrument’s mechanical mallets. Due to the constantly changing light and weather conditions, this work is alive, responsive, and never repeats itself.

New Horizon by Jessica Soekidi
“New Horizon” is an installation by artist Jessica Soekidi (b. 1987) that draws inspiration from the horizon during sunrise, and highlights the different colour layers that appear in the sky and how each one is enmeshed with the other. In this spatial installation, Soekidi reconfigures the sunrise into an inverted-pyramid sculpture, hanging from above. The artist invites viewers to gather under her reimagined sky, creating a space for human interaction within this spatial work.

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